As we have at least ten weeks of lockdown to enjoy, it occurred to me to do a series of posts of my most-DJ’d music in both swing and blues– so I’m starting a weekly series of posts, where each week I’ll post another ten tracks from my most-played lists. Here’s the first ten blues tracks to get things started.
This year marked my third year DJing at the wonderful Chase Festival, and my second as DJ coordinator. As ever, I had an absolutely blast.
This set list was requested by a few people – and please accept my apologies for posting a little later than I’d intended.
This year, there were two fantastic Chase after-parties, on the Friday and Saturday nights, and to cut a long story short, on one of the late night venues, while a Lindy room was rocking it upstairs, downstairs some blues happened. I’d had a small equipment crisis, and mislaid some of my sound gear – luckily it was found the following day – so I was DJing “blind” – and couldn’t preview anything. This set, in consequence, consisted of a whole bunch of my blues favourites – so there will be some overlap with earlier setlists, but I hope you all find it useful nonetheless. Enjoy!
Well – I’d sworn I was done with the Big Apple edits.
You know how it is – the more you look at something, the more you see the imperfections – and having done the original audio sync videos, I was starting to see some really strange things. To cut to the chase – they made me realise I’d not done a good enough job. So here’s two much better versions. I hesitate to call them the final ones, but I very much hope they are.
After working for far too long on my last little editing project – Fixing the Apple – I thought it might be a fun idea to try another version of the same routine, but this time using Solomon Douglas‘ wonderful modern version of the Big Apple track. Since this is the track which is nearly always used these days for dancing Frankie’s Big Apple – with good reason, as it’s an excellent version – I thought it might be a fun project. As well as being a very useful thing to have as a teaching tool – to have the modern music accompanying the original routine would just make it that little bit easier to learn from.
If you’ve been swing dancing for any length of time, you’ll have heard of the Big Apple. Most of you have probably learned the Big Apple, or at least part of it. You know – the less fiendish parts, up to London Bridge, before it all gets a bit crazy.
Well – crazier. Anyway – after a recent workshop, and watching various badly synced versions on YouTube, I got it into my head that the source material is in serious need of fixing.
Following on from At The Chase 2018: Competition DJing Pt 2 (Strictly Lindy) – this is the final part of my Chase competition DJing… and far and away the most challenging to find music for – for two reasons.
First – it’s probably the highest-level competition I’ve yet to play music for. Even though this is just a qualifying round for the cup (the final will be in 2019) – qualifying for the qualifiers is far from easy… Secondly – unlike the other Chase competitions, I was providing the music for the final. So… no pressure.
I was thinking about a few of the stranger things that have happened in the time I’ve been DJing, and thought it would be amusing to make a list for your entertainment. So in no particular order: